

I include media reviews in each of my newsletters. I've extracted them for this page. These reviews include thoughts on the quality of the writing, as well as my personal reactions and connections to the content. I also post full articles with media analysis.
I love to be in conversation with readers, so please feel free to reach out to me with thoughts on these reviews or pieces of media, via my contact page or by emailing michael@michaelzzaki.com
Full Articles
I'll Have What He's Having by Adib Khorram
This one is 5/5 stars, no notes! (Okay, one note: there were a few off-screen nonbinary characters and it would have been nice to throw them a real line/personality).
This novel was such a good time. I rarely have the experience of a romance novel having the correct amount of conflict—realistic, with long periods of joy in between the obstacles—and this one had that. I really recommend it if you enjoy romance novels. The characters felt very real with very real bodies. Their chemistry was so fun and lovely and felt realistic to me. I enjoyed spending time with all of the characters.
It is a novel about two men, one I described as “the wine guy” (who is Black) actually named David, and one I describe as “the Iranian guy” (because that identity ties into so much of his narrative), named Farzan, when I’ve talked about the plot out loud. I often don’t enjoy novels about gay men; I think that has never been my culture as a queer trans man. This one I’ve been really enjoying, and I think neither of them being white is part of it, honestly. They are also very in their late-thirties; it is mentioned often. I really appreciated that. Often, even if characters aren’t especially young, no one talks about having a body that isn’t young (knees popping, etc.)
Often with gay novels about men, I feel they are connected to a cis gay culture I just don’t relate to. Since I’ve never been a cis gay man, it just feels like an awkward distance from me. I think it is notable that my go-to descriptor of these men is “vocation” and “ethnicity”. The author is Iranian-American and it makes sense that ethnic culture is fleshed out more for that character. It starts out from that character’s (Farzan’s) perspective too, in the way that sets up what in a straight novel would be David (the wine guy) as the male love interest. In queer novels I’ve read there still seems to be a primary protagonist. If anyone knows about any man/woman romance novels with the man as the main protagonist please let me know!
The writing is just very good. I feel like the obstacles that the author places between these men are reasonable and realistic, misunderstandings don’t go on agonizingly long, and each character feels like a person I want to get to know. Read it!! It is very refreshing.
The Fox and the Falcon by Piper CJ
The Fox and the Falcon was okay. Like the first book in this series, it was only “fine” for the first like 60%, then had a very exciting latter 40%. It was good enough to keep me reading, but not super exciting. This time though I knew it might pick up, so I stuck with it.
The idea of sticking with a book comfortably is incredibly new for me. In the past that would feel like a trap, and I’d be stuck not reading the book or any other book for months. I have given myself full permission to abandon any book. I can look up a summary if I want to know the end without reading, even!
But I was enjoying this enough and I am reading fast enough now it didn’t feel draining to just read and see if it got better. I’m so excited to experience that.
Anyway, I felt medium about the book but still very much want to read the rest of the series when it comes out. It’s good at the series thing—leaving things both tied up and not at the end of each book. The protagonist also keeps being left out of the plan a lot, which makes sense because all the other characters are gods or something, but I hope it changes.
I am realizing that this series is the same genre of romance that Twilight is; it’s the “weak human with powerful supernatural man; by the end she becomes powerful too by being special enough.” I don’t hate that; it’s not really my fantasy but I understand it for sure. I will also warn that a lot of the plot of these books revolves around having a religiously abusive childhood, so look out if that is going to stress you out.
Annihilation by Jeff Vandermeer
I really enjoyed this book. I didn’t at first—I only read past the first chapter because my partner wanted to talk about it and it was so short (about 150 pages). It felt very lonely, despite the protagonist being around other people. I generally dislike lonely books and movies and games.
But, I kept reading, and it was so good in the end. I was talking to friends yesterday about it; about how it doesn’t feel like it fits neatly into any genre. It feels like a genuinely creative novel in ways that inspired me.
I want to get back into fiction writing. I write nonfiction so much more easily. Fiction requires a mode for me. A mode where I can be in someone else’s mind and ask not just where they want to go, but where I want them to go and why. I can be a character, I can ask who they know and love and hate, I can hang out in their world in my head, but the kind of things I get past a page on are confusing and complex. I know almost no one on this subscriber list has seen my short stories. They are fantasy horror, I guess? I like to create an unclear fantastical situation.
That was present in Annihilation, an unclear fantastical situation. It lead places I haven’t been, and I really enjoyed that. I do recommend this book, and I’ve been told it is very different from the movie, so I would not really use that as a measure of whether you want to try this book. My partner said it has “the same world vibe but very different plot choices” (paraphrased). It’s spooky, got a sci-fi feel, and some really interesting world building and character exploration. The premise is an expedition to a mysterious “Area X”. I went into it expecting a dystopia but it…wasn’t really. It was in the sense of reference to real world climate change at points, but I don’t really count general present-day things as the same genre of speculative dystopia.
The Deer and the Dragon by Piper CJ
The Deer and the Dragon is a fantasy romance, the first in a series. I am not often into fantasy, but when they take place in current times I am more likely to try them. The fantasy of the past or a more upper class setting isn’t usually interesting to me (I haven’t ever been able to get into Lord of the Rings, etc.) This book takes place in my current culture, and introduces some magic to it, which I do enjoy.
This is the first time I’ve read a book by someone I first encountered on social media. Usually, when I read books I try not to look up the author until I’m done (or maybe never look them up at all). It was very different to know how this author looks, sounds, and moves, and a few details about her life. I personally could not stop assuming the character was a version of her (the idea of which is painful to me about my own writing and I take significant lengths to try to avoid the vulnerability of that). It might have been from the writing itself—I’ve thought that with other books by other authors I knew nothing about—but it definitely influenced my read to have a sense of the author, and having heard some of the aspects she has said came from her own experience.
In some ways, I liked that—it was kind of fun to be in someone’s imagined world where they might exist. In other ways it felt like a kind of vulnerability that hurts me, which is definitely my problem.
I liked the writing; the characters were really enjoyable and I wanted more of them. I definitely want to read the next in the series, and I think that’s the outcome people are going for with the first in a series, right? It had some sad pieces that made sense, and it added depth that didn’t feel random. I get really irritated with books that are romantic, erotic, or otherwise fun that just throw in some trauma to make it “real”. I felt like this book actually succeeded at what those stories are going for—a relevant piece of someone’s experience that makes the overcoming of obstacles or the achievement of joy and pleasure more satisfying, or just create a more rounded character whose actions actually seem influenced by those events.
I did feel like it had that problem where the story ramped up pressure pretty steadily but tied up the plot slightly too easily. It was an overall good story!
Intermezzo by Sally Rooney
It’s definitely literary—I was sad the whole time reading it, but I also really enjoyed the experience. The words felt like being carried peacefully by water—once I caught the flow of it each time, I found myself falling one line to the next until many pages had gone by. It is a really sweet style.
The characters and plot felt very realistic, and the style follows the thoughts of several different characters. Reading how different people are processing the world is really interesting, and it’s pushed me to try harder to understand people a bit different than me. It felt very intimate to follow someone’s thoughts in the way they actually would have them, as opposed to typical narrative that relays everything as a memory or documentation.
There’s a character who’s pretty obviously autistic, and is relatable in a social way that I haven’t encountered in fiction before. He is paying attention and observant, but he’s still missing things. He’s aware he’s missing things, though, and I’ve never seen that in media. When I’ve seen autistic characters, they usually are completely oblivious to social cues and other people react to them more clearly like they’re disabled by this. This character is obviously disabled to me, but other people aren’t approaching him that way by default. I think it’s important to depict some autistic characters as oblivious to social cues, because some people are and if a piece of media tries to make that understandable to non-autistic people, I think that’s good. But I also really appreciate something I personally relate to on this axis. I am aware of social cues, and I often know when I’ve missed something. I’m also now wondering if characters are approaching him as disabled, and maybe me too, but I’m oblivious. Hmm.
I thought the plot was a really good depiction of grief. The tensions in this book felt very realistic, a little heartbreaking, but ultimately “okay” in the way people are ultimately okay at some point after a loss. It also depicts the ways that we can feel so bad even when nothing is wrong, because grief is a silent thing wrong for a long time, and it can be difficult to notice how it’s affecting us.
I understand why this book was so celebrated! I don’t often read a bestseller soon after it comes out, so it was fun to feel up on the trends for a moment. It was a gift and I’m very grateful for it!
This book also pushed me to examine how I react to age-gap relationships, because they are a big part of the plot. The two brothers in the novel are Peter and Ivan, 32- and 22-years-old; Peter has a 22-year-old girlfriend (Naomi); Ivan has a 36-year-old girlfriend, Margaret. The narration follows the perspectives of Peter, Ivan, and Margaret. Peter and Margaret are looking at their relationships very differently. Peter seems a little aware of the power dynamic, a thought that comes in and out, but he doesn’t really seem concerned about any long-term damage to her, even though she’s in a pretty vulnerable life situation beyond even the age difference. Margaret is really torn up about what she’s doing—she doesn’t want to ask friends for advice because she fears their judgement, but she can’t really trust the reassurance of Ivan.
Spoilers
I asked myself over the course of the novel how I would feel if I knew these people. I think if I knew Peter, his behavior fits pretty neatly into the category where I would just tell him he is being fucked up. If I knew Margaret, I don’t know. I asked myself why—is it that she cares? Is it that Ivan is in a much less vulnerable situation outside the relationship? Is it that she is a woman? Or do those things go all together—she is a woman, and women have to care more about how they’re perceived; that she’s conscientious and if his life were more unstable, it seems like that would be too much for her to ignore?
By the end, it felt like Margaret breaking up with Ivan because of their age seemed like it would be the thing to hurt him, and so whatever, maybe they’re fine. I felt like Peter was being super unfair to Naomi, despite a seemingly happy ending for them. I wasn’t sure if the narration was drawing conclusions—it seems like it was meant to be a positive ending, and it was a relief to me that everyone seemed happy enough. But I have been Naomi, and I know she probably wouldn’t be long term. I think a real Ivan would probably be okay, in the way that all relationships can be a let down or be good.
Honestly, I mostly found the attraction implausible. I haven’t met a lot of 22-year-olds in awhile, but the last one I met I definitely thought was 15. But maybe they don’t all look like that. Overall, because of that, I’ve felt harsher and harsher every year towards people in their thirties who could date anyone under 25. This book made me question if that’s fair, or just usually fair.
End of spoilers
It was interesting to examine this with a fictional character. I don’t know how to process that about my real values, because these were fictional people whose minds I could read. That’s not going to be the case in real life, so can this fictional scenario mean anything? It was at least an exercise for me in trying to be empathetic when my instinct is to be judgmental. I think it is important to be empathetic, even if in the end I choose to be judgmental anyway.
I don’t have much conclusion to that thought, but I’m curious what others think, especially if you have read this book, or another fictional scenario that asked you to empathize with a pretty real-life looking situation where you normally wouldn’t have much empathy. Or, do you always reach toward people with empathy before judgement? I can never tell if that’s something I want to aim for—if that would be personal development, or just a different way of operating. I very often reach for empathy, but not always.
Overall, I really enjoyed this book; it was well written, interesting, and thought provoking. I definitely recommend it.
Knit Tight by Annabeth Albert
Knit Tight is a romance novel about two men who are dealing with being primary caregivers (one for siblings, one for a sick aunt) and how they get to know each other and support each other. Also, one is biphobic and that is for some reason not a turn off for the other one, who is bi?
It’s cute, I liked it. It was a very fast read.
I sampled another one of her books and it was immediately so irritating (fatphobic so fast it’s really hard to not think that’s the author’s opinion). So I don’t know that I recommend her books…I am unsure I’ll try another. She’s a woman who only writes gay male romances and I feel kind of irritated by someone writing this objective-toned negative self talk about being unattractive for a demographic she’s not a part of…It’s off-putting. But, that’s an opinion, and I did like Knit Tight fine, so your mileage may vary and all that!
Little Rot by Akwaeke Emezi
I’ll start by saying this book is brought to you by the same author of a book called Content Warning: Everything. This book is so disturbing and interesting. It’s a mix of sexy and sex-horrifying scenes, which really enveloped me in the confusion of the characters, confused myself about the tone of the events in the short time period covered in the first half of the novel. It has characters who do bad things but still make sense, and that’s something I don’t always see or can’t always process. My other favorite author is Toni Morrison, and one thing these authors have in common is one of the things I like most about Morrison—the ability to make something human-horrifying possible to stomach enough to process it. I think that brings me closer to other people (understanding survivors of things I haven’t experienced and comprehending those who do the violence) in a way that doesn’t wreck me.
Like all of Emezi's work, Little Rot has very well-written prose and characters. Most of the characters were empathetic in at least one moment, and I appreciate being pushed to empathize without excusing. I felt a bit exhausted but glad I read it. This book is thought-provoking, difficult, and a look straight at some of the normal horrors of life and what wealth does to cover it up.
I recommend it, but definitely with a heavy content warning for many types of violence. I did have to take a few breaks.
High Conflict: Why We Get Trapped and How We Get Out by Amanda Ripley
I had an interesting intro to this book. The library notified me that my hold on it was ready, but I did not remember requesting it. I assumed a friend recommended it. I asked around, but none of my friends knew about it, so I must have gotten the recommendation from a podcast or something. I actually really enjoy library gifts from my past self, and I’m so grateful to have read it! It was a good holiday gift, to receive this book from past me and probably a stranger.
It’s about how healthy or productive conflicts escalate into “high conflict", the kind of conflict where people get deeply entrenched in “us vs them,” and includes examples all the way from the pettiest silly disputes over basically nothing all the way to literal civil warfare. It was helpful to look at all of that in one place, zooming out to what human reactions have in common.
I think overall it was making a point about US politics, through providing a bunch of examples that a great number of Americans would not have a personal stake in, which for me, not relating to most of them, was very effective in forcing me look past my defensiveness and reactivity toward the people I’ve engaged in “high conflict” with.
If you are tired of having a cortisol response to things that aren’t a physical threat, or possibly even things that are, and you would like reassurance about leaving when you can, I do recommend it.
I just finished it this week (after only 3 days of reading; it’s very engaging), so I’m still processing my thoughts on it. My initial response is relief.
I have an incredibly difficult time bringing myself to try to understand people who I perceive as my enemies in the US (conservatives). But, I live in a safe place. I have space, so I’d like to understand.
I’m a judgemental and short-tempered person. I am also a deeply understanding person. I feel satisfaction in anger, but much more satisfaction in empathy, peace, and easy forgiveness. When something that infuriates me turns out to not be malicious, I am relieved. I want to believe people are “doing their best,” as a bunch of therapists have said to me (about myself, my friends, and everyone).
A few weeks ago, someone broke into my car (gently—they didn’t actually break anything). They rifled through all my things, and all they took was an empty notebook, which was baffling. I had chargers, jumper cables, and blankets, all of which were still there.
As we drove away, my fiance asked if I was okay. I was. I genuinely didn’t care very much. It was so odd. I was enjoying being baffled by this human behavior; wondering what in the world their motivation was. It wasn’t very inconvenient to me. I was sad to lose the notebook—it was from a subscription box, so I can’t replace it. But I also didn’t mind someone else enjoying it, even if they’d done something hurtful to get it.
The next day, I was driving us, and someone was stopped in the road in a way that irritated me. They needed to pull over so we could pass each other, since there was room on their end of the road and not mine. This made me angry for several minutes. I said, “You know what’s funny? I’m having a harder time letting go of that than the break in.” They thought this was wild, and yes, funny.
When I don’t understand something, it so easy for me to get angry and frustrated. Stealing my notebook was confusing, but sounded like a teenage behavior; I can picture a teenager feeling powerless and committing small crimes to deal with that in a way that feels thrilling and fun. I don’t like it, but I get it. And I have the power of an adult and can empathize with that in a way I couldn’t as an uptight teen (instead of an uptight adult).
When people bother me on the road, I don’t want to understand or empathize, at least at first. It pulls up all my insecurities that I am an inconvenient person, on the road and otherwise. I have a lot of anxiety about driving. I am a good driver overall, but a few years ago I got kind of too aware of what a car is, and get stuck on this panic about how dangerous it is to drive, inherently, even though most people do not get in serious car accidents. It’s tied up in specific mental health issues for me, and it’s hard to let go of it. Because I am so insecure, and so distressed by unexpected behavior in general, flames erupt in my chest when people do normal human irritating behavior while I’m driving. Am I like that? Surely not, surely they are inconsiderate as a person.
The author of High Conflict specifically calls out driving in the book. She describes a time she was lost and confused and ran a red light, hearing honking behind her and feeling embarrassed. She talks about how when someone else runs a red light, they’re an entitled asshole, but when she did it, she had reasons. She points out the very normal hypocrisy of this, that many of us share.
I’ve had it pointed out to me that maybe the person doing something weird on the road is a jerk all the time, but maybe they’re in a hurry because there’s an emergency, real or percieved. There’s no way to know which is happening, and isn’t it easier to believe people have a reason for what they do?
Being angry feels like an action, like it’s giving me power back when I’m afraid. But it isn’t an action, it’s a feeling, and it isn’t a pleasant one. When I consider others have reasons for what they do, I feel an emptiness where the temporary satisfaction of rage was, and then feel calm and alright again. It’s preferable, in the end.
I’ve realized that the internet as I use it, primarily with social media and news, gives me a constant wash of anger and sadness and frustration. There is joy and hope there too, but it’s too mixed up in the emotions that my mind tells me keep me safe.
But long term, it’s made me much less stable and comfortable and able to act.
I noted in my last newsletter that post-election I have been pleased to see the people who are finally sighing and going “Okay, the rage alone didn’t help. What can I do now?” and have started looking at how to engage in their local communities. It’s given me hope and happiness.
The author of High Conflict encourages disbanding binaries—if there are only two options (like our voting system) there is so easily an “us vs them”. When there are three or more options, it becomes immediately more complex. She recommends measures that give space and time to think. She also encourages people to expand “us” wherever possible. I found all of this helpful, and obvious, and not obvious at all.
Realizing that I am American, whether I like it or not, did some of that for me. There is an “us” that is my country. There is an “us” that is all humanity, too.
Do we need a “them”? I’ve spent years online being infuriated that some people could hate me so much. And being told that actually most people want me dead, actually. Which is absolutely not true.
As I’ve started to see slivers of the “other side” of US politics, the biggest and most revelatory surprise of Trump supporters I’ve had recently is that many of them seem to think of what he says as only a performance; that it’s silly to “take him literally”.
I read an article recently about a Latino man who voted for Trump despite having an undocumented son-in-law who he loves very much. He apparently did this because he didn’t take Trump seriously on anything. He thought that the mass deportation line was just an exaggeration, that he meant he’d deport the “bad ones,” whatever that means. I still don’t find that acceptable, but I find it comprehensible. I am trying to be able to just comprehend people whose views I hate. Not to win anything at the moment—just for my own sanity.
One of the people interviewed in High Conflict voted for Obama hoping he’d “shake things up” and then when things didn’t feel shaken up, she picked the candidate who seemed more likely to shake things up—Trump. And yeah, he did. For the worse. But this person wasn’t voting for the Trump that me and my friends take very very seriously, she was voting for whoever the weird one was. It doesn’t sound like she had a single demographic to hate. It seems like many, many people are fully unaware of the actual power and intention of his position.
Knowing that is a much better space to live in for me—knowing some people do hate me and people I care about, but most of them do not; even the ones tipping a domino that hurts me and my loved ones ultimately.
Those are probably people worth talking to. They can’t change if no one talks to them, and listens to them like they’re people. That doesn’t have to be everyone, but it should probably be me, sometimes, at least. I’m not exhausted right now.
That seems so basic, but I have lived in a very traumatized bubble for most of my adulthood. I formed my adult social circles around the pieces of me that were most vulnerable. That bubble felt protective, and at first it was, but then it convinced me that the world was actually only horror outside of it.
Reading this book brought home to me the most distilled version of what I’ve felt for years—I want to treat people as people, and not be so afraid that paying any attention to them will hurt me.
A few quotes from the book that I highlighted:
“[In healthy conflict] curiosity exists. There can be yelling, too. But healthy conflict leads somewhere. It feels more interesting to get to the other side than to stay in it. In high conflict, the conflict is the destination. There’s nowhere else to go.”
“Violent conflict gives people a sense of meaning that they don’t want to lose. The hotter it gets, the more essential it feels. Fire starters accelerate this process. Conflict entrepreneurs encourage people to find meaning in conflict, and it’s not hard to do.”
“Listening doesn’t mean agreeing. It doesn’t mean legitimizing or amplifying what other people say. I still decide what to put in the story—and what to keep out. Listening deeply does not mean creating false equivalencies. The rush to assume it does comes from a superficial understanding conflict.”
Again, it seems basic but it hasn’t been.
Particularly the idea that listening to someone isn’t giving them power; it’s just listening. For many years, I had an intense desire to stamp out the ideas that I felt were immoral, but over time, that has come to feel like an American evangelical value. Talking to people like you respect them can change their minds, and in the meantime, just makes living with humanity less painful. I want to at least start out with respecting people.
I occasionally see people who are disappointed that covid precautions have greatly ended referring to people’s reversion to “normal” as being actively in favor of eugenics. When I see that, I feel sad, because that sounds like an exhausting and awful way to live, feeling that almost everyone is cruel and hateful. It’s also just not the same, to inadvertently hurt people vs holding the overt opinion that some lives are better ended. Most people are not hateful, violent, or in favor of eugenics. We all have biases, and support bad systems at least here and there. But I can’t live in a reality where I believe that most people are primarily violent.
I’m hoping for a future where I can tolerate the feelings that bubble over when I’m making assumptions about people, and move past them, confident that listening won’t change my values, and that I can stop listening when it’s too much. It makes sense to make assumptions when we don’t feel safe—but I hope to be able to identify when I am unsafe and when I am just reacting to the reminder of a separate situation where I would be unsafe.
I want to stop internalizing that things are simple and bad. I am also, after reading this book, feeling less weird and ashamed to have gotten caught up in “high conflict” over things I didn’t have to. It’s human.
My Sister the Serial Killer by Oyinkan Braithwaite
This was a birthday gift from a friend (thank you!). I think it's very well written. I enjoyed the tone and style; the short sentences feel in line with a very practical protagonist. It's dark in ways that don’t
feel typical. I saw reviews on the back calling it very funny, which was baffling to me for almost the entire time. By the end, I got why it was funny, all at once. It felt like a very, very long joke that I didn't realize would have a punchline, because it didn't seem like a joke until I hit that punchline. I felt so sad and stressed for the protagonist, but felt light at the end.
When I talked mid-reading to the friend who gifted it to me, she said that she's read other books by Nigerian authors (Braithwaite grew up in Nigeria and the UK, says her Wikipedia page) that have a similar sense of humor. I'm happy I got to experience a different cultural expectation around humor in literature.
If you have any recommendations for funny books by Nigerian authors, please let me know! I would love to compare (and enjoy some humor).
Shades of Grey by Jasper Fforde
I found very interesting and enjoyable. It’s a dystopia, but the experience wasn’t like most other dystopian fiction I’ve consumed. The way the very flawed society is structured is very silly, and the silliness takes some of the bite out of it, making the reading experience pleasant. I often feel like I’m dragging myself emotionally through books where dark things are happening, but this one managed be appropriately upsetting and fun at the same time. I also think the silliness and strangeness made it feel less like “your society will end up like this” spooky and more “a society could end up like this” which honestly made it feel less Edgy and more “Let’s think about power and control and how it operates.” That feels more actionable to me—a lot of stories, or maybe just how people receive those stories, seems to be about being afraid, but the purpose of dystopian fiction should be to ask us to reflect and act where possible to keep nasty powers in check.
I think my favorite fixation about dystopian novels is that they tend to have an almost throwaway acknowledgement that the poorest working class is relatively free of whatever mind-games control bullshit the protagonist is going through.
I’m fascinated by the inclusion of the idea that people in the upper middle class and richer are playing life by different rules than everyone else—that the poor have laws and the rich have rules.
Poor people in these novels are often controlled by chasing enough physical resources, and people with plenty of physical resources lose themselves in more emotional and mental systems of control (until the point at which they face physical annihilation when they step outside those rules too much). I have a lot of branching thoughts about how those things blend in my own society—definitely poorer people are also controlled by mind-games control, but it does seem like we’re all playing by different rules that are hard to see from the outside. I wonder how the internet has affected this, with all our random thoughts flowing all over the place. Yet, even with the internet, I feel like I’ve mostly interacted with people similar to me, and that I don’t know what rules I haven’t had to play by.
Bury Your Gays by Chuck Tingle
Bury Your Gays was a fun ride. I read about 2/3rds of it in one day! It was very easy to read, and as a horror mystery it was very gripping and scary, but not too emotionally distressing, at least around the horror bits. It’s definitely a plot in service of a metaphor, which is something I really enjoy when it’s done well. I enjoyed finding the layers of the metaphor throughout the story, and something about the characters made them feel like they were both very real and also clearly metaphorical? An example of an idea? I recommend it if you can handle light gore and Queer Feelings.
Also, having heard Chuck Tingle speak (SPOILER), I knew the whole time that the main characters would survive—there wouldn’t be any present-day tragedy for anyone specifically called out as queer—a nice contrast with the title. And that made all the scary stuff easier to handle, for me. There is a real catharsis in reading a book called Bury Your Gays where you know that you’re safe from the trope itself.
I think this is something unique about an author who writes horror, erotica, and romance. The book had a horror and romance structure at the same time. One of the benefits of the romance genre is that most of the time you know you’re safe from any sort of devastation. Some books stray from this, particularly some thrillers I’ve read (bending the genre in the opposite direction of Chuck Tingle’s book). Horror fiction often promises that you’ll get a thrill from fear, physically safe from danger, but probably not emotionally safe from a sense of loss.
Reading something that had the emotional safety of a romance novel with the thrill of horror was excellent.
Go Lightly was a lot, emotionally. It was about being 26 in 2017, and navigating relationships (of all kinds) and bisexuality and feelings of belonging. I was 26 in 2017, and was also a bit of a mess, and it felt very relatable in a lot of ways. The plot starts with an all-nighter of booze-and-cocaine, flirty, city-life partying. The protagonist, a performer with the hideous secret of also doing temp admin on the side for cash (while her peers struggle more between gigs). She floats between multiple flirtations, navigating intimacy with a woman she's drawn to and a man who I think is just ultimately drawn to her. I understand it so well; that is how I was in my 20s too— enjoying the draw of drama with male attention and deep emotional chaos with women and non-binary lovers.
It had really gentle stakes, and I enjoyed that. I have read so many novels with high stakes, and it is nice to just float somewhere
I recommend it for a gentle ride through navigating being messy in your 20s.
Gay Bar: Why We Went Out by Jeremy Atherton Lin
This is a fascinating memoir/history book.
It mostly explores a queer culture that I haven’t experienced, either because it’s around a type of gender interaction I haven’t ever chosen, or because it exists only in the past. It centers primarily around fairly masculine gay spaces, over the course of decades.
The book opens with the author’s life in present-day London (published 2022), then shifts between the earliest years of his adulthood in the early ‘90s and the broader 20th century experience of being gay/queer/homosexual in the US, especially in San Francisco, where the author spent his 20s.
The history eventually meets up with and blends into his experience of the ‘90s and early 2000s, coming back to the present. He dips back into the past as his life takes him to London, to explore history there. The history is set around the bars themselves, and his experiences with them.
It’s primarily a memoir, and focused on gay (or equivalent) bars (or similar public-private spaces) and I’d say focused on the experience of mostly white gay people, with various references to bars that either were for black & brown people, or who turned black & brown people away. The author himself is Asian-American though. He doesn’t mention that for a few chapters, which I found interesting. His race only comes up occasionally, but mostly in the chapters about most recent life; I think likley because current queer discourse has more mainstream room for discussions on race. About the author, I have been left with the impression that he had the kind of experience where you blend in with white people well “enough” they include you for their own comfort—which gives some tangible privilege but also a sense of constant unease. He doesn’t go much into this, and I would be interested to hear more of that experience. I did notice that his Asian-American identity is in the very first line of his website, and I am really curious about how that plays into his other works and why it didn’t explicitly in this one. I am wondering how much that is where some of the “don’t belong” tone that ran throughout. I say all that having had some of those experiences myself!
Having learned so much about just these aspects of 20th century queer experience, I am so curious about the many others. I haven’t done much focused reading on queer history in the last several years—I’m excited to look up some of the writers referenced in this book and see where that takes me!
Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan
It was published in 2013, but spoke to a lot of the thoughts I’ve had recently about the Internet and society. It was also just a fun and gentle ride, to me.
This novel explores a lot of emotionally rough topics, but does flow in a way that was gentle enough for that aspect to not be too tiring. I thought it was a very interesting idea, and it read like mostly a thought experiment, with characters and plots being turned over in the author’s and readers’ hands, which I enjoyed more than I would have expected.
Wild Things by Laura Kay
I enjoyed it, but the romance was a little exhausting, because the queer pining is too familiar. But, the setting and characters were lovely and felt very real to me, and I do recommend it. It’s about what if you did leave the city and go live with your queer friends on a farm? (And also, of course, you’re secretly super infatuated with one of them.
A Tale For the Time Being by Ruth Ozeki
Oh my gosh, I feel like I will be thinking about for a long time. There was so much richness yet the writing felt like such a light touch. Exploring these characters felt to me like examining a drawing in a fine-point pen with rich ink—many details, very gentle. Gentleness has been something I’m enjoying a lot in my recent reads. This novel also had pretty intense content, but for the most part I felt less immersed in the intensity because of the structure. It made moments of tension or grief feel more impactful, I think. I really recommend it, but I’d also look up content warnings if you are someone who values having those. If you or your parents are immigrants (especially to/from the US, Japan, or Canada), it may be particularly impactful. Coincidentally (perhaps), this was also published in 2013 and speaks to a lot of what I have been thinking about the internet lately, entwined with many other questions.
Perfect Person is an advice podcast where people write in mostly silly problems, and the host and a guest call them back and give them live advice ranging from actually good to very chaotic.
I can
tell some guests are unable to not take it
seriously, and that would be me, so I enjoy that.
The joke premise is the host is a “perfect person” as are the guests, which qualifies them to answer the questions. This podcast is sometimes a little stressful due to the chaos, but I enjoy it.
I enjoy that the host seems very genuine and kind, but is also coming from a comedy angle. I can be tired by comedians who don't seem like kind people, so I find this podcast especially pleasant.
Sometimes the advice is great and sometimes it's bad. It does seem like the more silly the problem, the more silly the advice. When people happen to have a real problem the host and guests seem to give better advice.
I love advice podcasts in general, and I recommend this one.
Happy Wife Happy Life a relationship-themed advice podcast
run by two lesbian comedians who are also an engaged couple. They start each
episode identifying themselves as “deeply unqualified but deeply in love
comedians”. They sometimes also answer write-in questions, other times they just talk
about a romantic relationship related topic. There are sometimes guests, and sometimes they’re just
talking to each other.
I find this podcast soothing and funny,
and rarely stressful to me. I get stressed out by second-hand embarrassment, and often comedy intentionally includes it, but this one rarely does.
It’s also been nice to hear people talk about a pretty healthy-sounding relationship online. It’s kind of rare. In fiction and non-fiction, drama is always interesting to an audience, so having a stable couple rely on other aspects for comedy has been lovely. I think it's important for people to have relationship role models. I personally feel that if I had had more of that in my 20s, I would not have entered so many awkward and unhealthy relationships! I really want those role models for younger people, so I'm always happy to think about young people listening to this podcast and seeing what consideration and good communication looks like; what it is like for a couple to actually like each other. And of course for a couple to be gay!
So True is fun but stressful to me, because the host , Caleb Hearon,
seems to be the kind of person who just says things and sorts out if he means it
later. For example, he is a gay man who intermittently jokes there are
no real bisexuals, but later states that he of course supports bisexuality
which is very real.
I half recommend this one; that aspect is stressful, but it is funny, and I am trying to practice tolerating social interactions wit people who
align with most of my values but stress me out a little. I see the
value of not being so afraid to fuck up online, so it’s helpful for me
to see that, even if it’s more laid back about it than I could handle
for myself. If that seems okay to you, I’ll say that it also varies by
guest a lot how funny it is, so I’d try out a couple. I do think it’s
funny (it’s not just a stress tolerance exercise). There’s one with
Chris Fleming and I recommend almost any video with Chris Fleming (my favorite comedian).